A New Musical for All Ages
The Wind in the
Wildflowers
The Wind in the Wildflowers is a whimsical, fiddle-filled adaptation of The Wind in the Willows, reimagined with an Idahoan twist. Set along the rushing rivers and wildflower-lined meadows of Idaho, this heartwarming musical follows three unlikely friends—shy and sensitive Mole, bold and adventurous Ratty, and the extravagant, thrill-seeking Toad. While Mole prefers the quiet comforts of home, Ratty is always chasing adventure, and Toad is consumed by her latest obsession—automobiles. Whether racing downriver or zooming through the countryside, Toad's reckless ways soon attract the attention of the cunning Weasels of the Wood, leading to trouble. As Toad gets caught in the Weasels' schemes, it's up to Mole and Ratty to set things right. With Idaho’s wilderness as their backdrop, the friends must outsmart the Weasels, rescue Toad, and restore harmony to their home. Along the way, Mole learns that bravery isn’t always about grand adventures—it can also mean standing up for the ones you love. With a fresh, femme-forward twist on a beloved classic, The Wind in the Wildflowers is a joyous celebration of friendship, nature, and self-discovery, brought to life with bluegrass-inspired melodies and heartfelt storytelling.
By Grace Ward and Elke Myers
Summer is Here
"Summer Is Here" was the first piece written for the show. When Grace shared the lyrics with Elke, she immediately envisioned infusing the song with a distinctly Idahoan sound. This recording is from a staged reading at Boise Contemporary Theater. In the full arrangement, the piece features both guitar and fiddle accompaniment, capturing the spirit and texture of the region.
Storming Toad Hall
“Storming Toad Hall” holds a special place in Elke’s heart—a song that seemed to write itself the moment she laid eyes on the lyrics. The melodies arrived like a rush of wind, and within fifteen inspired minutes, the first draft was born. It’s the kind of tune that drifts back to her uninvited, yet welcome—haunting in the best way, refusing to let go. Sharing the stage with the luminous Rachel Fichtman and Alyssa Stadtlander at Boise Contemporary Theater’s staged reading brought the song to life in a way that felt both electric and deeply personal.